Customer briefing

Lost Miniatures, Recovered Glories

This Infinity Nomads project came to us through word of mouth. The client knew us from social media, and after seeing several of our previous projects on Infinity, he decided to write to us. He told us that he had a complete army of Nomads… or at least, he used to. Now it was in a rather complicated state: miniatures with old paint, loose pieces, damaged bases. He wanted to give it a second life and was looking for a result that would live up to Corvus Belli’s classic red and black scheme.
From the first message, it was clear: he wanted us to restore the entire army and make it visually stunning, without extreme effects or dirtying the whole thing. No weathering, blood, or wear and tear. Just a clean paint job, with OSL where it really added something. In addition, he had two special miniatures—two mercenaries—that he wanted to stand out with their own scheme: black and yellow, in contrast to the rest of the army.
The commission included paint removal, assembly, base renovation, and comprehensive painting. And although it seemed simple when described, we knew that the volume and variety of miniatures would require precise, almost surgical work.

Photo of the project Ornate level

The Color of Insurrection: Red, Black, and Determination

The process with this army of Infinity Nomads was as meticulous as it was exciting. We started with the basics: removing the previous paint, which in many cases hid very fine details. When we stripped the paint, some miniatures fell apart, so we carefully rebuilt them, making sure that each component was perfectly assembled.
Once everything was clean and assembled, we focused on the design of the bases. We opted for a simple urban style, very Infinity, which complemented the red and black scheme without stealing the limelight. We painted in small batches so we could control the detail and maintain the coherence of the whole.
Throughout the process, we maintained constant communication with the client, sending daily photos of the progress. This allowed us to validate each stage, adjust nuances, and ensure that the result was in line with what they expected.
The variety of miniatures made each day different: working on the Gator is not the same as working on a Crazy Koala or a Tomcat. And that, far from complicating things, made the project dynamic and very enriching. Seeing how each piece regained its character was the best indicator that we were on the right track.